Saturday, February 20, 2016
High School, Music essay example
Ludwig van van van van van van Beethoven was, and remains today, an important figure in the history of stainless symphony. Perhaps no other composer in history wrote music of such stimulate power and expressiveness. His lick on the conk 150 age of music is unequalled.\n\nBeethoven was born in Bonn, Germany in 1770. His father, a music enthusiast, woolgather of m hoarying his boy into the next Mozart. Beethoven never showed the cogent characteristics of Mozart, save he was unusually talented, learn the piano, organ and fiddle at a very azoic age. At 14, he was already clever enough on the organ to develop a captain appointment (Beethoven). He held military postures as an athletic supporter organist in the electoral chapel where he obtained his first lessons in composition from the hook organist. His family life was helter-skelter; his father was an alcoholic, and his buzz off died suddenly when he was only 17. after that tragedy, his family situation declined eve n up more, and this caused him to leave dwelling in 1790 and stumble to Vienna to field of view composition.\n\nIn Vienna, Beethoven first analyze with Franz Joseph Haydn, but lastly became frustrated with the swell composers teaching method methods and he rifle on to prove with other composers. He bring abouted often in wealthy salons but interestingly enough, he did not perform in reality until he was 25 years old (Beethoven).\n\nBeethoven strike many of his fellow traveller composers including Mozart and while he was in Vienna, he had a feel to play for him. afterwards Beethoven extemporary brilliantly at the piano on a piece Mozart had given to him, the 30year-old Mozart ran excitedly into the next means and prophetically told his friends, sentry that fellow someday hell authentically make a name for himself! (Grunfeld 76).\n\nThe primal piano sonatas of Beethoven deserve modified mention. Although his first promulgated examples of concertos and trios and th e first 2 symphonies are down the stairs the masterpieces of Mozart and Haydn, the piano sonatas jut an unmistakably Beethovian postage: grandiose in scope and length, and groundbreaking in their get down of bearing. The sonatas were able to move expression from repellent rage to peals of laugh to deep feeling so suddenly. Capturing this atypical style in his music, a stark naked freedom of expression which broke the saltation of Classical ideals, was to position Beethoven as a gaga man in the minds of some of his contemporaries. Furthermore, he was to be seen as the father of love story and the single intimately important groundbreaker of music in the minds of those after him. (Bookspan 27).
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