Saturday, December 29, 2018
La Grande Odalisque and Olympia: Comparison/Contrast
Two exquisite mental pictures with a egg-producing(prenominal) reclining nude as the central point atomic number 18 La Grande Odalisque by Jean Auguste Dominique Ingres and Olympia by douard Manet. The distaff nude has been a crucial field of study for art throughout history. The angular curves and the sensuality that can be take a crapd with just a form has intrigued artist in the past, present, and future. spell the similarities of these twain paint argon much evident, there are still blood line between the pieces.Ingres was from France and he painted during the classic Period, while Manet, who was similarly from France, painted during the naive realism and Impressionistic Periods. Their live overlapped each a nonher(prenominal) for besides thirty years, further their styles belonged to different periods. Ingres lived through the french Revolution and was genuinely much affected by it although Manet was natural after it was over.Seeing such a drastic change i n the knowledge base in which he lived caused Ingres to pay genuinely close attention to the details of the past. He wanted to preserve it perfectly and he also looked to the techniques of the masters before him. Manet was not so much concerned for the past, scarce his eyes were on the present. His subjects represent the French societal and cultural setting of the while period in which he lived.La Grande Odalisque by Ingres is an oil painting of a l one nude pistillate reclining on her bed. Her body faces away from the viewer, while the adult female looks back over her shoulder. There is only a glimpse of her breast chthonic one of her arms and the rounded sides of her rear end are visible.Olympia by Manet has twain females in the oil painting. One is a black servant woman and the reclining female nude. Manet depicted his nude facing the viewer. Her breasts are wholly exposed and her genitals are cover by her hand. There is a tropical feel in Manets painting Even though sh e has covered part of herself, this female seems more abrupt with her nudity and the female in Ingres painting is more subtle and tantalising with her body.Ingres uses slow shades of green jewel tones to create an elegant effect. Manet also incorporates the color green, yet he emphasizes the stark white which allows the female to stand out. The white also gives a harshness to the painting. It is as if someone turn on a bright bang light in the middle of a sensual moment. The model in Ingres painting tends to blend with her surroundings.Both females hold something with her hand, but Ingres females fan is one of peacock feathers which blends in with the rich tones of the background. At the barefoot of Ingres nude, there is a pipe and green stool, while there is a black cat at the gritty healed feet of Manets. Manets figure wears an orchid in her hair as well(p) as the shoes. She finds no modesty with the notice of her servants stare and is completely open with her sexuality .The female nude is the tower subject of both paintings but the differences deliberate their artist and there artistic periods. bandage they are both alluring, they are also starkly contrasted. Manet and Ingres were definitely masters of their times, and the La Grande Odalisque and Olympia are examples of both of their vanquish work. Both of these works are alluring and sensual paintings that will mystify viewing audience as long as the two works exist.
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