Werther as the Prototypical Romantic in Sorrows of Young Werther Essay

Werther as the Prototypical amatory in Sorrows of Young Werther In Goethes Sorrows of Young Werther, the protagonists characteristics and ideas define him as the archetypical ro opustic personality. The Romantic Movement emphasizes emotion over reason, an idea that Werther emulates end-to-end his life. Werther loves pastoral settings in nature, he feels most in touch with his emotions. He rejects rationality and complexity with the sentiment that life is an adventure to be point by intuition. Werthers longing for his love, Lotte, is a paradigm of the Romantic concept of sehnsucht, ones changeless yearning for something that they will never possess or know. Werther finds Lotte to be the object of his hopeless desire, but social conventions of a world base on reason keep her just out of his reach. His unrequited rut for Lotte ultimately destroys him as his frustrated melancholy drowns every other aspect of his personality. Werthers love of the countryside illustra tes his appreciation of the untamed emotion to be effect in natural settings. He believes that an artist contribute only bring into being great by drawing nature scenes, and considers those who do not regard the beauty of the world to be unhealthy. Werther escapes the rules and regulations that saturate the rational world in pastoral settings such as Wahlheim, where he finds that I can be myself and experience every happiness known to man (43). He can best sense the presence of God and his spiritual self in nature, and develops some of his deepest connections with Lotte. Werther is deeply saddened when someone with no feeling at each(prenominal) for the few things on this earth that are of real value cuts raft the beautiful walnut trees in f... ...iliar sense of yearning that will never be fulfilled. Werther realizes that cobblers last is the only way to end his misery. Like the wacky man picking flowers, Werther has found Lotte as his reason, but death is the only way to l ose it again. Werther is deeply sympathetic for the murderer at Wahlheim because he feels every bit of his hopelessness and sees the mans fate as his own. The sample reasonably refuses to overlook the law merely because the man allowed emotions to control his actions, and his words, The man is doomed, might as well have been directed to Werther (106). Werther is helpless to his longing, saving him to his sad end, lost in a fantastic sensitivity and blank space passion (107). Work CitedGoethe, Johann Wolfgang von. The Sorrows of Young Werther. Trans. Elizabeth Mayer and Louis Bogan. 1774 New York Random House, 1970.